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I do an irregular podcast here, called The 4am. It’s composed entirely of music sent to me by bands and musicians. If I like it, I play it, basically. You can find the first 13 episodes in the sidebar player — they’ve been played some 55000 times.
Haven’t done one since March. Now I have a decent set of speakers for this laptop, it’s easier to resume. So I’m starting from scratch, for a second season of The 4am.
It won’t happen, of course, without new music. If you think you’d like to be on the podcast, please email me your music (mp3, 128k or better) at warrenellis @ gmail.com. That email address is only used for the podcast. Including a link to your site is always useful — saves me having to hunt around for it myself.
Tell your friends if you like. But I can only play mp3s sent by the artists themselves. if you send me mp3s from bands you really like, I just have to delete them. Okay? Thanks.
I do an irregular podcast here, called The 4am. It’s composed entirely of music sent to me by bands and musicians. If I like it, I play it, basically. You can find the first 13 episodes in the sidebar player — they’ve been played some 55000 times.
Haven’t done one since March. Now I have a decent set of speakers for this laptop, it’s easier to resume. So I’m starting from scratch, for a second season of The 4am.
It won’t happen, of course, without new music. If you think you’d like to be on the podcast, please email me your music (mp3, 128k or better) at warrenellis @ gmail.com. That email address is only used for the podcast. Including a link to your site is always useful — saves me having to hunt around for it myself.
Tell your friends if you like. But I can only play mp3s sent by the artists themselves. if you send me mp3s from bands you really like, I just have to delete them. Okay? Thanks.
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)That’s it. No more. It’s over. I’m only sorry I couldn’t fit more of you in — the response this year was overwhelming, more than double that of last year. Apologies to the several hundred (!) of you I couldn’t show. It was actually really nice to see so many of you. There’s a little bit of public performance to doing a blog, and that sort of thing always works better when you can actually see the audience. And I know that some of you, at least, enjoyed seeing each other.
Thank you.
Maybe next week we’ll see how many of you want to shoot video. Heh.
(31)
That’s it. No more. It’s over. I’m only sorry I couldn’t fit more of you in — the response this year was overwhelming, more than double that of last year. Apologies to the several hundred (!) of you I couldn’t show. It was actually really nice to see so many of you. There’s a little bit of public performance to doing a blog, and that sort of thing always works better when you can actually see the audience. And I know that some of you, at least, enjoyed seeing each other.
Thank you.
Maybe next week we’ll see how many of you want to shoot video. Heh.
(31)
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)Nearly there.

(30)
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
Ketchum was referring to his work at Edgewood Arsenal, headquarters of the U.S. Army Chemical Corps, in the 1960s, when America’s national security strategists were high on the prospect of developing a nonlethal incapacitating agent, a so-called humane weapon, that could knock people out without necessarily killing anyone. Top military officers hyped the notion of “war without death,” conjuring visions of aircraft swooping over enemy territory releasing clouds of “madness gas” that would disorient the bad guys and dissolve their will to resist, while U.S. soldiers moved in and took over.</p>Ketchum was into weapons of mass elation, not weapons of mass destruction. He oversaw a secret research program that tested an array of mind-bending drugs on American GIs, including an exceptionally potent form of synthetic marijuana. (Most of these drugs had no medical names, just numbers supplied by the Army.) “Paradoxical as it may seem,” Ketchum asserted, “one can use chemical weapons to spare lives, rather than extinguish them.”
(Thanks Bill!)

(29)
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
“I always feel so lucky to be a living canvas for such amazing artistry and then to have it captured so beautifully! I just wanted to share the names behind the work with people who would appreciate it..
Photos by Briscoe Savoy, leg tattoos by Dave C. Wallin of Tattoo Culture in Brooklyn, NY and the torso work by Needles at East Side Ink in Manhattan.

You just can’t trust these people:
"Warren [Ellis, who wrote the project] was a decision to usher this into pg-13," dos Santos said. "There’s no cursing… there’s no blood. It’s ’Warren Ellis Light,’ his style is all over the project. It’s within reason, and in good taste. Not that his work isn’t always in good taste, but sometimes it isn’t in good taste."
Ellis even sent a message to SDCC fans through dos Santos. "He wanted you to all know that he’s in England, sitting in his living room, naked, collecting all of Hasbro’s money, and he wants to thank all of you for that."
You just can’t trust these people:
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)"Warren [Ellis, who wrote the project] was a decision to usher this into pg-13," dos Santos said. "There’s no cursing… there’s no blood. It’s ’Warren Ellis Light,’ his style is all over the project. It’s within reason, and in good taste. Not that his work isn’t always in good taste, but sometimes it isn’t in good taste."
Ellis even sent a message to SDCC fans through dos Santos. "He wanted you to all know that he’s in England, sitting in his living room, naked, collecting all of Hasbro’s money, and he wants to thank all of you for that."
